‘The Tokyoiter’, a Double Homage
This collective offers illustrators the chance to represent the Japanese capital by adapting the style of covers from ‘The New Yorker’.
© Alessandro Bioletti & The Tōkyōiter
With regard to press illustration, the publication that has long been considered an international reference is The New Yorker, founded in 1925.
Across the world, graphic designers have since paid homage to the American magazine, like with The Parisianer, established in 2013. In 2015, British illustrator Andrew Joyce, French artistic director David Robert, and Japanese illustrator and creative director Tatsushi Eto created The Tokyoiter, its Japanese counterpart.
‘Draw their vision of Tokyo’
Since then, illustrators—some Japanese and some not, but all having had extended experience of the city—have offered to ‘draw their vision of Tokyo.’
One of these artists is Vasco Mourão, originally from Portugal and now living in Barcelona. He has spent long periods of time in the Japanese capital and created Tokyo Lights. He explains to Pen that ‘the piece is a love letter to the graphic landscape of the Tokyo streets, its energy, chaos, and overlapping messages.’ His work is ‘strictly based on the neon signs, shop fronts, and lettering found in the streets’ in the city, drawing on his ‘memories and photographs, primarily of the Shinjuku, Kabuki-cho, Shibuya, Shimokitazawa, Ikebukuro, and Ginza districts, and with a little tribute to Shuetsu Sato (a security guard who works in the Tokyo subway) and his hand-lettered signage’, he tells Pen. ‘I can barely read Japanese, so for the most part, I drew letters without knowing what they meant’, Vasco Mourão continues.
This is therefore a personal experience in the form of a tribute. Each artist shines a spotlight on what they believe makes Tokyo an incredible city, and what it is about this urban setting that stimulates creativity. ‘A good cover for me is a cover that has some sort of intimate relation to Tokyo, but speaks to everyone’, David Robert summarises in an interview with Tokyo Weekender.
The covers for The Tokyoiter can be viewed on a dedicated Instagram account.
© Fern Choonet & The Tōkyōiter
© Vasco Mourão & The Tōkyōiter
© Louis-Étienne Vallée & The Tōkyōiter
© Aiko Sogo & The Tōkyōiter
© James Daw & The Tōkyōiter
TRENDING
-
AD TRAVELThe Ephemeral, Floating Landscape of Hokkaido’s Deep Winter
Every year the Sea of Okhotsk is transformed into a frosty wonderland of paving slabs of drift ice.
-
Carving the Universe in Paper
An exhibition celebrates the diverse techniques that elevate paper to an art form, from origami to sculpture and ‘kirie’.
-
The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
-
The Sensuality Between a Woman and an Octopus: a Modern Take
The series 'Hysteric Ten' by photographer Sawatari Hajime revisits one of the most sulphurous relationships in Japanese art.
-
HOTO FUDO, a Creation Halfway Between Art and Nature by Takeshi Hosaka
The Japanese architectural firm built an aerial structure close to Mount Fuji that's in symbiosis with its environment.