Emi Kuraya’s Ongoing Exploration of Girlhood on Canvas

From anime-inspired sketches to richly emotional oil paintings, Kuraya explores identity and emotion through painted girls.

08.05.2025

Text & EditMasanobu Matsumoto

Born in Kanagawa in 1995. Graduated from Tama Art University in 2020. Emi Kuraya has shown her work both in Japan and abroad. Her solo exhibitions include ‘Girl’s Time’ (2024, Perrotin Hong Kong). She also published her first monograph, ‘Partly Cloudy’, in 2023. Photo: Tanguy Beurdeley © Emi Kuraya / Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy of the artist and Perrotin.

It was none other than renowned contemporary artist Takashi Murakami who first recognized Emi Kuraya’s talent. Still a student at art school at the time, Kuraya caught Murakami’s attention when he came across her work from a group exhibition on social media. He reached out, and not long after, she was exhibiting solo shows at Kaikai Kiki Gallery, drawing attention from both Japanese and international audiences.

But looking back, Kuraya recalls feeling uncertain during those early days. ‘At that time, I didn’t really know what kind of artist I was, or even if I could call my work painting,’ she reflects.

‘Alleyway’, 2024 - Oil on canvas, 145.5 × 97 cm. A character-like girl stands in an everyday street scene. Kuraya explains that the canvas becomes a mirror, reflecting her own memories and experiences. © 2024 Emi Kuraya/Kaikai Kiki Co., Ltd. All Rights Reserved.

Kuraya originally aspired to be an animator. Drawing girl characters had always been her hobby since childhood. However, as she delved deeper into academic painting and art history during her studies, she began to question whether it was acceptable to depict characters on canvas in a fine art context.


Artists like Mr. and ob were already creating anime-inspired work, so I was still in the process of figuring out why I was painting that kind of imagery on canvas myself.’

‘Dancing’, 2022 - Oil on canvas, 145.5 × 145.5 cm. The girl dances beside Cocoa, her beloved dog who passed away a few years prior. This series was painted in the wake of personal loss, revealing an autobiographical tone. © 2024 Emi Kuraya/Kaikai Kiki Co., Ltd. All Rights Reserved.

Today, she has found her answer. Her stylized girls now appear on canvas with vibrant expressions, bridging the gap between her childhood passion and her academic training in painting. When asked who these girls are, she answers: ‘They could be someone I saw walking along Otome Road in Ikebukuro, or someone I know. They’re not me, but in the sense that they reflect my experiences and what I’ve seen, maybe they are a kind of self-portrait.’

Kuraya has painted countless girls over the years, yet she never tires of them. ‘As my own daily life and experiences change, so do the girls I draw. With each new painting, they keep evolving.’

 

The artist’s work can be viewed on her Instagram account and on the Perrotin gallery website.

‘Harajuku Lovers’, 2024 - Oil on canvas, 162 × 112 cm. More recently, Kuraya has begun painting boys as well. Are they a couple on a date? Look closely and you’ll spot a tiny heart hidden in their eyes. © 2024 Emi Kuraya/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin.