One of Yayoi Kusama’s Founding Works Revived by the Louis Vuitton Foundation
Yayoi Kusama, Infinity Mirror Room - Phalli’s Field (or Floor Show), 1965/2013, vue d'installation, galerie 11, exposition La Collection de la Fondation : le parti de la peinture, Fondation Louis Vuitton Paris, du 20 février au 26 août 2019. Crédit artiste : © Yayoi Kusama Crédit photo : © Fondation Louis Vuitton / Marc Domage
A room with walls adorned with mirrors. On the floor, there’s a messy forest of sculptures made from stuffed cotton fabric – which could be mistaken for cushions – with red dots against a white background. Phalli’s Field, the title of which is clearly suggestive, is without doubt one of Yayoi Kusama’s most famous works.
Developed in New York in 1965, it marked a turning point in the career of this artist, who would then go on to develop her Mirror Rooms, works based around reflection and the place of the body in reality. An immersive piece, Phalli’s Field would become the setting for Yayoi Kusama’s performances and representations. A famous photo shows her dressed in a red bodysuit, lying down in this field of fungal sculptures.
This installation has taken its place on the top floor of the futuristic Louis Vuitton Foundation building as part of the exhibition entitled ‘The Collection of the Louis Vuitton Foundation: A Vision for Painting’, which is running until 26th August. It’s an invaluable opportunity to immerse oneself in the roots of this work by one of the greatest Japanese contemporary artists.
Courtesy of Ota Fine Arts, Tokyo/Singapore; Victoria Miro, London; David Zwirner, New York. © Yayoi Kusama
Yayoi Kusama. Infinity Mirror Room - Phalli’s Field (or Floor Show), 1965/2013. Collection de la Fondation Louis Vuitton Paris. © Yayoi Kusama. Photo : Courtesy Yayoi Kusama Studio, Ota Fine Arts, Tokyo / Singapore and Victoria Miro, London
TRENDING
-
The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
-
Tokyo's Transgender Community of the 1970s Immortalised by Satomi Nihongi
In her series ‘'70S Tokyo TRANSGENDER’, the photographer presents a culture and an aesthetic that are situated on the margins of social norms.
-
Kohei Yoshiyuki, the Voyeur of Tokyo's Voyeurs
The reedition of the publication ‘The Park’ takes us on a night walk through the parks of Tokyo, out in full sight.
-
Modernology, Kon Wajiro's Science of Everyday Observation
Makeup, beard shape, organisation of cupboards and meeting places: all of these details decipher 1920s Tokyoites.
-
Hiroshi Nagai's Sun-Drenched Pop Paintings, an Ode to California
Through his colourful pieces, the painter transports viewers to the west coast of America as it was in the 1950s.