‘Bojoo’, a Tender View of Japan Captured by Jeremy Stigter
In this series started in the 1990s, the photographer presents the perspective of a foreigner who lived in Japan for a long time.
‘Bojoo’ is a photographic project by Jeremy Stigter, defined by the artist as ‘a series of studies of a reality that is close to me, having often appeared to me like a form of living theatre’. Japan and its culture are at the heart of his project, which he decided to narrate based on his own experience as a foreigner living in Japan. It offers a tender look at Japan, with gentle, moving images that bring reality and the imaginary face to face. Strongly influenced by literature and cinema, Jeremy Stigter is fascinated by the documentary function of photography, its psychological effect and its narrative possibilities.
Born in the Netherlands (The Hague), Jeremy Stigter has been working and living in Paris for over thirty years now. After completing a History degree at London School of Economics and Political Science and studying Political Science at the College of Europe in Bruges, he decided to travel to all four corners of the globe. And it was during a long stay in Japan that Jeremy Stigter engaged with photography in 1986, while he was living in Yotsuya.
Encounter with Japan and photography
Jeremy has always been attracted to Japanese culture, ‘maybe because of all the wood engravings we had in my childhood home’, he tells us.
‘Everything really started after I spoke to Dutch photographer Ed van der Elsken. This encounter was an extremely decisive moment in my career’, Stigter explains. ‘Photography allowed me to let go. I’ve never really tried to take beautiful, perfectly centred photos, but rather to capture moments that are important to me, so that I can try to keep these memories alive forever. I’ve also always preferred to let things come to me rather than impose a particular subject on myself. And that’s how Bojoo came to be.’
It was therefore in Japan that everything started, and this was also where Stigter bought his first camera. ‘At the time, Tokyo was very different to how it is now. There were far fewer foreigners living in Japan, I felt really isolated, and even almost cut off from the rest of the world because there was no internet’, he adds. This feeling of solitude led him to go out and meet people and immortalise this strange, new sensation through photography. It was a way for the artist to document his everyday life. And this is how ‘Bojoo’ came about. ‘A Japanese concept which translates as nostalgia, cherishing a memory, having a desire for, and even romantic longing…’, the photographer explains.
Capturing the everyday with sensitivity
‘Bojoo’ brings together several hundreds of photographs taken between May 1989 and February 2013 and has been continually fed over the years.
‘This project saw the light of day a little by chance, and turned out to be an ideal way to discover Japan. “Bojoo” began naturally in spring 1989, while I was travelling a little blindly, without any set route, and certainly without the idea in mind to do a report on Japan. I took a few photos, not thinking they would later form the premise of a big project which I now hold so close to my heart. That’s why I feel like when you discover these photos taken at that time, you can feel that carefreeness, as if nothing was calculated, and that was indeed the case’, states Stigter.
The characteristic feature of Jeremy Stigter’s work is without question its sensitivity, reinforced by its observational quality and perspective that’s completely unprejudiced. The photographer enhances certain ordinary things that cluttered our imagination’s vision of Japan and its culture, which seem so mysterious to Westerners. ‘Bojoo’ is comprised exclusively of black and white photographs due to Stigter’s personal aesthetic preferences, but also because they allow ‘better control of taking the photo, developing it and printing it’, the artist explains.
Now represented by the Galerie Maria Lund in Paris, ‘Bojoo’ has already been exhibited in Paris and Rome.
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