Kinoshita Kabuki, the Theatre Company Bringing Kabuki into the Modern Age
Founded by Yuichi Kinoshita in 2006, this theatre group intends to make japanese traditional theatre codes accessible to all.

‘KANJINCHO’, Supervised by Yuichi Kinoshita, Directed by Kunio Sugihara, ©KYOTO EXPERIMENT, Photo by Yoshikazu Shimizu
By revisiting ancient plays and adding a contemporary touch, theatre company Kinoshita Kabuki, founded by Yuichi Kinoshita in 2006, aims to make the plots of kabuki more understandable for a modern audience. Indeed, this traditional form of Japanese theatre, in which dialogues alternate with song and dance interludes, is a highly codified art.
From the gestures to the costumes, not forgetting the intonation, make-up, and facial expressions that convey the characters’ state of mind, kabuki theatre is not easily accessible to those who do not hold the keys to understanding plays dating back to the 17th century.
Trainers, neon lights, and junk food
To bring kabuki up to date, Yuichi Kinoshita, a graduate of the performing arts department of Kyoto University of Art and Design, set to work with his company to produce a modern adaptation of classic popular plays such as Kanjincho, produced at the Centre Pompidou in Paris in 2018. This daring reinterpretation takes the form of a whimsical dramatisation in which the actors, wearing black trainers, perform on a stage lit by bright neon lights and covered with Japanese junk food. Keen to modernise and rejuvenate each new play, Kinoshita Kabuki dares to use modern costumes and contemporary language, and even incorporates hip-hop and electro music.
Yuichi Kinoshita does not consider himself the company’s official dramatist; instead, he appeals to young directors for each production, each of whom bring their own vision of kabuki. It’s a risky move, but one that has found a willing audience, who is pleased to watch this dialogue between traditional arts and modern theatre.
Kanjicho is a play produced by Kinoshita Kabuki in Paris at the Centre Pompidou in 2018. More information on Kinoshita Kabuki on the company’s website.

‘KANJINCHO’, Supervised by Yuichi Kinoshita, Directed by Kunio Sugihara, ©KYOTO EXPERIMENT, Photo by Yoshikazu Shimizu

‘Sesshu Gappo ga Tsuji (Itoi Version)’, Supervised by Yuichi Kinoshita, Direction & Music by Konosuke Itoi, ©Rohm Theatre Kyoto, Photo by Naoko Azuma

‘Sesshu Gappo ga Tsuji (Itoi Version)’, Supervised by Yuichi Kinoshita, Direction & Music by Konosuke Itoi, ©Rohm Theatre Kyoto, Photo by Naoko Azuma

Yuichi Kinoshita, Photo by Naoko Azuma
TRENDING
-
Hiroshi Nagai's Sun-Drenched Pop Paintings, an Ode to California
Through his colourful pieces, the painter transports viewers to the west coast of America as it was in the 1950s.
-
A Craft Practice Rooted in Okinawa’s Nature and Everyday Landscapes
Ai and Hiroyuki Tokeshi work with Okinawan wood, an exacting material, drawing on a local tradition of woodworking and lacquerware.
-
The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
-
David Bowie Dressed by Kansai Yamamoto
The English singer was strongly influenced by 'kabuki' theatre and charged the Japanese designer with creating his costumes in the 1970s.
-
‘Seeing People My Age or Younger Succeed Makes Me Uneasy’
In ‘A Non-Conformist’s Guide to Surviving Society’, author Satoshi Ogawa shares his strategies for navigating everyday life.


