Van Gogh’s Drawing of a Young Japanese Girl
In 1888, the artist depicted 'La Mousmé', a character inspired by the novel 'Madame Chrysanthème' by Pierre Loti.
Vincent van Gogh, “La Mousmé”. © Christie's
‘Mousmé is a word meaning a young girl or a very young woman. It is one of the prettiest words in the Japanese language; it seems to reflect both moue (meaning a young girl’s funny and pretty pout) and frimousse (meaning a young girl’s pert and sweet little face).’ These lines from Madame Chrysanthème, a novel by Pierre Loti that was published in 1887 and that tells the story of the marriage of a young French naval officer to a Japanese woman in Nagasaki, provided the inspiration for the painting La Mousmé. Produced in 1888 by Vincent Van Gogh, it is now held by the National Gallery of Art in Washington DC.
In 2021, this young girl became topical once again when the auction house Christie’s put a drawing done by the artist in 1888 up for sale, an image inspired by the already famous painting he had completed just months previously. This piece forms part of a series of drawings done using a reed pen and working from his own paintings, and became the artist’s most expensive drawing ever sold.
A mousmé from Provence
Highly receptive to the aesthetics and codes of Japonisme, Van Gogh collected engravings by Hokusai, Hiroshige, Utamaro, and Sharaku. 1888, the year he settled in Provence, also marked a major step in the evolution of his work. Van Gogh found the environment to be reminiscent of Japanese landscapes—despite having never visited the country—particularly its sunny colours. The drawing of La Mousmé, exhibited at the Metropolitan Museum of Art in New York, the Royal Academy in London, and Tate Britain in 2019, is distinctive due to the technique used. This may be because it is not a preparatory study for the painting of the same name, as the drawing was produced with a dense collection of lines and dots.
The drawing of La Mousmé, which was sold online by Christie’s for over 10 million dollars, was restituted in 1956 after having been stolen from a Jewish banker during the Nazi occupation of the Netherlands.
La Mousmé (1888), a painting by Vincent Van Gogh, is held at the National Gallery of Art in Washington DC, USA.
Vincent Van Gogh, 'La Mousmé', 1888 - © Chester Dale Collection, National Gallery of Art
'Madame Chrysanthème' par Pierre Loti, première édition
The Taboo-Breaking Erotica of Toshio Saeki
The master of the 1970s Japanese avant-garde reimagined his most iconic artworks for a limited box set with silkscreen artist Fumie Taniyama.
The Surreal World of Icelandic Twins
The series ‘Eagle and Raven’ by photographer Ariko Inaoka allows its audience to spend seven summers in the daily lives of two sisters.
William Klein, an American in Post-war Japan
In his book 'Tokyo 1961', the photographer documents an unusual section of Japanese society in the style of a photo-journal.
'Fuzei', a Very Japanese Feeling
In his eponymous series of shots of urban scenes, photographer Ryota Kajita seeks to define a word that is difficult to translate.
Feet in Tokyo, Overstepping the Bounds of Portraits
In the series 'Ashimoto', photographer César Ordóñez lets the shoes featured in his images reveal the personality of the women wearing them.