In Paris, 100 Years of Japanese Cinema in 119 Films
The retrospective presented in the 'Japonismes 2018' season included founding works in modern Japanese cinema.

Yasujiro Ozu, Crépuscule à Tokyo, ©1957/2017 Shochiku Co., Ltd
Chronologically divided into three periods, the event retraced the history of Japanese cinema from 1920 to 2018 through 119 films selected by a jury of Franco-Japanese specialists. During the first period, 27 films from 1920 to 1940 were shown at the Cinemathéque française from September to October 2018. In the next session, from November 2018 until February 2019, the Maison de la culture du Japon in Paris and the Cinémathèque hosted around 50 films from the post-war period until the 2000s. with the aim of depicting the emergence of Japanese cinema to the beginning of its golden age. Finally, from February until March 2019, the final round saw a number of contemporary directors take to the screens with 37 films including Our Little Sister by Hirokazu Kore-Eda and Your Name by Makoto Shinkai.

Buntaro Futagawa, Orochi, 1925 ©Matsuda Film Productions

Les amants crucifiés, Kenji Mizoguchi, ©KADAKOWA CORPORATION 1954

©karatsu film partners/PSC2017
Japonismes 2018
japonismes.org/fr/officialprograms/日本映画の100年TRENDING
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‘Shojo Tsubaki’, A Freakshow
Underground manga artist Suehiro Maruo’s infamous masterpiece canonised a historical fascination towards the erotic-grotesque genre.
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The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
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Haruomi Hosono’s Music for 'Shoplifters', by Hirokazu Kore-eda
The director reflects on the ‘mature’ sound of Haruomi Hosono’s score and how it shaped his Palme d’Or-winning film.
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Jinbocho, Tokyo’s Book District
This neighbourhood in Chiyoda-ku has become a popular centre for second-hand book stores, publishing houses and antique curiosities.
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Shizuka Yokomizo, between Exhibitionism and Surveillance
'Dear Stranger' is the story of a troubling relationship between the photographer and the subject, who meet without seeing each other.