Node Hotel, Where Art and Leisure Meet
Modern art exhibitions, musical and gastronomic events, a pop-up fashion boutique… Node Hotel, located in the heart of Kyoto, offers travellers much more than a place to dump their luggage and stay the night. The vast number of hotels in the former imperial city led the creators of Node to devise a strong concept that combines luxury, culture and a boutique escape.
‘This isn’t just a place to sleep; it’s also somewhere visitors can discover something new‘, explains Akinori Kanao, one of the developers behind the project and director at Canvas. ‘People meet the local residents and discover Japanese culture and the Kyotoite community. It’s also a good way to encourage residents to accept overseas travellers‘, he continues. Node, therefore, is a hotel which forms the centre point and link between cultures, as the name suggests.
The hotel was designed in the image of a modern art collector’s residence. Each of its 25 rooms contains works by contemporary Japanese artists such as Tomoo Gokita and Haruna Kawai, as well as pieces by foreign artists, all of which have been acquired from fairs and galleries all over the world. Canvases are also displayed in the lobby, which evokes a luxurious reception room, though without being ostentatious. ‘The hotel has just opened, but I’d eventually like to change the works found on the first floor (in Japan, “first floor” designates what would be referred to as the “ground floor” in countries like France or the UK) regularly, four times a year, with each season‘, states Akinori Kanao.
The art is enhanced by the raw architecture, designed by architect Seiichiro Takeuchi. ‘We knew that we were going to install modern works of art, so I wanted the architecture to be minimalist and raw so that everything would hang together perfectly‘, explains the former partner of Japanese master Tadao Ando’s firm. Node Hotel is characterised by the omnipresence of smooth concrete, a material very dear to the latter. ‘It’s a kind of homage to him, as well as to the sophisticated techniques used in the Japanese construction industry. This technique with concrete is used by Japanese woodworkers, who are declining in number as years go by. It will be very precious in the future‘, the architect explains.
The structure of the building had to respect the urban planning rules in place in Kyoto, a protected city where every new construction must adhere to a strict design specification. ‘We had to conserve the atmosphere of the urban landscape, so the building has a roof and eaves that mirror those found on traditional townhouses‘, Seiichiro Takeuchi concludes.
The furniture has been sourced from all over the world. The designers favoured wood and natural materials to create a discreet decor that would showcase the works, many of which are extremely colourful and graphic.
Sawako Ariyoshi, the Japanese Simone de Beauvoir
Her caustic view of Japanese society and her feminist vision made her a successful but marginal author in the literary world of the time.
Hiroshi Senju: Sacred works at Koyasan
Famous for being the home to numerous Buddhist temples, the sacred site of Mount Koya celebrated its 1,200th anniversary in 2015.
Iwakura Shiori’s Floral Photography
One of the key characteristics of Iwakura Shiori’s photography is her palette of bright colours, rendering her images sublimely cinematic.
In Karachi Fujien, Van Gogh’s Garden
Walking along the pathways of Kawachi Wisteria garden (Karachi Fujien), it’s easy to imagine oneself walking through a Van Gogh landscape.
The Must-Read Text on Japanese Aesthetics, 'In Praise of Shadows'
First published in Japanese in 1933, Junichiro Tanizaki’s In Praise of Shadows is a testimony to the enduring timelessness of Japanese aesthetics.