A Personal Portrait of Mishima Revealed by John Nathan
One of the author's translators published a biography that traces the intimate outlines of one of Japan's most divisive writers.
One particularly significant event is remembered from the life of Yukio Mishima: his suicide by seppuku, emblematic of the samurai tradition, on 25 November 1970. This act often compels people to discover him in reverse, rewinding his life and work starting from his death. Although Yukio Mishima instilled a great deal of himself in his work (his homosexuality in Confessions of a Mask and his attraction to death and Japanese tradition in Hagakure: Samurai Ethic and Modern Japan), it can be difficult to grasp who he truly was. A novelist, playwright, and poet, bodybuilding enthusiast and militarist, he was convinced that Japan had everything to lose under democracy.
Who, then, could do a better job of trying to assemble the pieces of the puzzle that Yukio Mishima represents than one of his official translators? John Nathan spent time with the author in Tokyo from 1963 to 1965 while translating his novel The Sailor Who Fell from Grace with the Sea. A member of his innermost circles, he knew Yukio Mishima intimately before an event put an end to their friendship and professional collaboration: John Nathan declined the author’s offer to translate Silk and Insight, and instead opted to work on A Personal Matter by Kenzaburo Oe, a left-leaning writer whose values were therefore diametrically opposed to Yukio Mishima’s.
Unravelling the mystery of Mishima
Despite this, John Nathan was enlisted to write the biography of this author who, at the age of 45, left behind 40 novels, 18 plays, and 20 volumes of short stories. He therefore had the challenging task of telling the story of the author who was fascinated by samurai clans and who, as he explains, only shared the parts of himself that he chose to. ‘When he died, all of his friends had to admit that they had not suspected anything and acknowledge, at the same time, the painful truth: all they had known of Mishima was what Mishima had wanted them to know of him.’
John Nathan gathered together his memories and met Yukio Mishima’s widow, friends, and parents to reconstruct the author’s life in a chronological manner. First published in 1974, the book was reissued in 2020 to mark the 50th anniversary of the author’s death. This version has a new preface in which John Nathan revisits the delicate and inevitably fragmentary and subjective task that was involved in building this biography of a multifaceted man. ‘Any biography written so close to the death of the person it is about is susceptible to requiring subsequent factual and interpretative additions. I dare to hope that in spite of its gaps, my book will help the reader to probe the enigma that was Yukio Mishima.’
Mishima (2020), a book by John Nathan, is published by Da Capo Press.
‘Nobody Knows’, a Life Hidden from View
This film from Hirokazu Kore-Eda, inspired by a true story, depicts four children left to fend for themselves in a Tokyo apartment.
‘The Beauty of Boundaries’, the Japanese Aesthetic of Limits
Ito Teiji's book focuses on ‘kekkai’, the notion of Japanese spatiality that gave rise to the arrangement of homes.
The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
'The Spirit of Pleasure', a Glimpse into Eroticism in Japan
From the cult of the samurai to that of geishas and the tightening of conventions, this essay traces the history of hedonism in Japan.
Recipe for Ichiraku Ramen from ‘Naruto’ by Danielle Baghernejad
Taken from the popular manga with the character of the same name who loves ramen, this dish is named after the hero's favourite restaurant.