Samurai Portraits by Felice Beato
The Italian-British photographer immortalised a large number of these warriors as feudal Japan was coming to an end.

© Felice Beato
When Felice Beato arrived in Japan in 1863, the Japanese ports had just opened to international trade and foreigners living on Japanese soil were still few in number. The photographer-reporter, thanks to some valuable contacts in the Japanese army, had the opportunity to go to various regions of the country to capture the final hours of feudal Japan. But, while the Boshin War (1868-1869) was raging, Felice Beato continued his photography work in the studio, where he presented samurai and courtisans.
The samurai’s final moments
In these first Japanese portraits, samurai proudly appear, dressed in their armour and brandishing their swords. The photographs were then colourised by the photographer himself, a very common practice in the late 19th century. Felice Beato was one of the first to photograph the Far East, and also one of the few photographers to manage to immortalise the final years of the existence of these Japanese warriors. Indeed, five years later (1868), the Meiji restoration marked the end of feudalism. Carrying a sword was then forbidden to anyone outside the new national armed forces.
A pioneering figure in photography in Japan, Felice Beato had a great influence on his contemporaries and successors like the Austrian baron Raimund von Stillfried and the Italian Adolfo Farsari, as well as on Japanese photographers like Kusakabe Kimbei and Tamamura Kozaburo.
The majority of Felice Beato’s works can be viewed online, on the website of the Metropolitan Museum of New York.

© Felice Beato

© Felice Beato

© Felice Beato

© Felice Beato

© Felice Beato

© Felice Beato
TRENDING
-
‘Yukio Mishima: The Death of a Man’
A few months prior to his ritual suicide, the author was depicted in macabre photographs taken by Kishin Shinoyama.
-
Haruomi Hosono’s Music for 'Shoplifters', by Hirokazu Kore-eda
The director reflects on the ‘mature’ sound of Haruomi Hosono’s score and how it shaped his Palme d’Or-winning film.
-
Modernology, Kon Wajiro's Science of Everyday Observation
Makeup, beard shape, organisation of cupboards and meeting places: all of these details decipher 1920s Tokyoites.
-
Propaganda from the Russo-Japanese War
Artist Kobayashi Kiyochika created a series of prints depicting the Japanese army during the war that lasted from 1904 to 1905.
-
An Encounter with the Last Shamans in Japan
Sociologist Muriel Jolivet's book offers an analysis combined with a travelogue and interviews with these women with supernatural powers.