Shio Kusaka and Subversions of Japanese Pottery
With influences as broad as childhood memories of tea cups, ancient craft, watermelons, or dinosaurs, these ceramics defy categorisation.

‘Fruits 7’, Porcelain, 2014 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.
Shio Kusaka is best known for her ceramic and stoneware vessels that draw on Japanese, Chinese, Cypriot, and Greek traditional forms and practices. Her work, for all its institutional recognition, is as functional as it is artistic. Born in 1972 in Japan, artist Shio Kusaka now lives and works in Los Angeles.
Having graduated from the University of Washington in Seattle in 2001 with a BFA in ceramics, the artist moved to Los Angeles in 2003 and had her first show in 2005 at Tortoise Venice. Her work has since been included in the Whitney Biennial in 2014 and she received the Isamu Noguchi Award in 2021.
Erudite and intimate influences
Her use of shapes, colour, and technique are heavily informed by the Yayoi period in Japan (around 300 BC to 300 AD), named so after the place in Tokyo where pottery from the Yayoi period was first found. While Shio Kusaka’s influences may be traditional, the final form of her ceramics are often off-beat, a Greek vessel may take on the appearance of a watermelon, or an entire gallery filled with small ceramic dinosaurs, the latter influenced by the presence of her small children. Her work equally inscribes itself in more recent art history, transposing the work of artists such as Agnes Martin or Sol Le Witt in ceramic form.
This history is enriched with personal experience: Shio Kusaka grew up in Morioka, observing the chinaware used by her grandmother during tea ceremonies. These diverse references and influences have made for a heterogeneous output over the years that defies categorisation or coherent organisation.
More information on Shio Kusaka’s work can be found on the website of the David Zwirner gallery.

‘Watermelon 11’, Stoneware, 2015 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.

‘Carved 77’, Stoneware, 2015 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.

‘Unicorns 2’, Porcelain, 2015 © Shio Kusaka, Photo: Brian Forrest. Courtesy of the artist and David Zwirner.

‘Animal 2’, Stoneware, 2014 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.

‘Dot 64’, Porcelain, 2014 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.

‘Pot 24’, Stoneware, 2014 © Shio Kusaka, Photo: Wood Kusaka Studios. Courtesy of the artist and David Zwirner.
TRENDING
-
Jinbocho, Tokyo’s Book District
This neighbourhood in Chiyoda-ku has become a popular centre for second-hand book stores, publishing houses and antique curiosities.
-
Issei Suda’s ‘Family Diary’, A Distant Look at Daily Life
For two years, he photographed his family using a Minox, a tiny camera notably employed by intelligence agencies.
-
Recipe for ‘Okayu’ from the Film ‘Princess Mononoke’
This rice soup seasoned with miso is served by a monk to Ashitaka, one of the heroes in Hayao Miyazaki's film.
-
Yukio Mishima and the Acceptance of his Homosexuality in Post-War Japan
In 'Confessions of a Mask', a novel inspired by his life, the author details the struggle to accept his difference in a conservative society.
-
Roland Barthes and Japan
From his travels to Japan in the 1960s, the author drew 'Empire of Signs', a book in which he details the things which caught his attention.