The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
The art of tattooing has a long and rich history in Japan. Today, tatoos often remain stigmatised, associated with criminality and nonconformity. There is a historical reason for this, however: during the Edo period (1603-1868), criminals were brandished with tattoos in order to identify and punish them. Despite the fact that this practice was banned during the Meiji period, the stigma remains.
The tattoos of the Edo period were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo. This practice, irezumi kei, or tattoo penalty, replaced the more bloodthirsty decapitations and removal of limbs that preceded it. However, head tattoos also operated on a three strikes system, each crime punished with a single stroke of a Chinese symbol (大), after which was death. Each region had its own symbol representing both crime and location, rendering it possible to immediately identify the details of the act committed. In Hiroshima people were tattooed with dogs; Chikuzen, lines; Takayama, dots; and Hizen, crosses.
While today’s perceptions of tattooing in Japan might be rooted in this 5000-year history, contemporary organised crime groups such as the yakuza continue the practice of tattooing, perpetuating its association with criminality. This has even led to misconceptions that tattoos in Japan are illegal; however, the law forbidding tattoos was abolished in 1872.
The Taboo-Breaking Erotica of Toshio Saeki
The master of the 1970s Japanese avant-garde reimagined his most iconic artworks for a limited box set with silkscreen artist Fumie Taniyama.
Takuto Ohta Creates Strange, Moving Sculptures
The Japanese architect presents his 'rubbish things', wooden objects that are capable of moving unassisted.
BDSM in the Shadows of 90s Japan
Enfant terrible of Japanese literature Ryu Murakami dissects the underbelly of corporate hedonism through erotic cinema in ‘Tokyo Decadence’.
Tenmei Kanoh Strips Down Sexual and Moral Order
In 'FUCK', published in 1970, the photographer sent an explicit message to society and its moral laws in a necessary act of provocation.
A Previously Unseen Conversation Between Juliette Binoche and Hayao Miyazaki
In 2018, the French actress and the star of Japanese animation discussed their fascination for nature and the director's inspirations.