The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.

The art of tattooing has a long and rich history in Japan. Today, tatoos often remain stigmatised, associated with criminality and nonconformity. There is a historical reason for this, however: during the Edo period (1603-1868), criminals were brandished with tattoos in order to identify and punish them. Despite the fact that this practice was banned during the Meiji period, the stigma remains.
Three Strikes
The tattoos of the Edo period were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo. This practice, irezumi kei, or tattoo penalty, replaced the more bloodthirsty decapitations and removal of limbs that preceded it. However, head tattoos also operated on a three strikes system, each crime punished with a single stroke of a Chinese symbol (大), after which was death. Each region had its own symbol representing both crime and location, rendering it possible to immediately identify the details of the act committed. In Hiroshima people were tattooed with dogs; Chikuzen, lines; Takayama, dots; and Hizen, crosses.
While today’s perceptions of tattooing in Japan might be rooted in this 5000-year history, contemporary organised crime groups such as the yakuza continue the practice of tattooing, perpetuating its association with criminality. This has even led to misconceptions that tattoos in Japan are illegal; however, the law forbidding tattoos was abolished in 1872.



TRENDING
-
Jinbocho, Tokyo’s Book District
This neighbourhood in Chiyoda-ku has become a popular centre for second-hand book stores, publishing houses and antique curiosities.
-
‘Yukio Mishima: The Death of a Man’
A few months prior to his ritual suicide, the author was depicted in macabre photographs taken by Kishin Shinoyama.
-
Roland Barthes and Japan
From his travels to Japan in the 1960s, the author drew 'Empire of Signs', a book in which he details the things which caught his attention.
-
Recipe for ‘Okayu’ from the Film ‘Princess Mononoke’
This rice soup seasoned with miso is served by a monk to Ashitaka, one of the heroes in Hayao Miyazaki's film.
-
Haruomi Hosono’s Music for 'Shoplifters', by Hirokazu Kore-eda
The director reflects on the ‘mature’ sound of Haruomi Hosono’s score and how it shaped his Palme d’Or-winning film.