Adrien Jean, Immersion in a Solitary Culture
In this series, the photographer addresses the sense of solitude felt by both Japanese people and travellers visiting the country.

© Adrien Jean
A businessman on the way to the office, another going to pray at the Buddhist temple in Asakusa, a woman looking out of a café window… In the 25 photographs in the series Japan — A lonely feeling by Adrien Jean, the hustle and bustle of the Japanese cities seems to have evaporated. Other than the protagonist, no other human appears in the frame. In these compositions, driven by geometric work, Tokyo, Kyoto, Takamatsu, and Naoshima appear to be no more than empty shells.
Adrien Jean is a French photographer. Born in Nantes, he settled in Vietnam in 2014, where he worked with national publications like The Saigoneer and Saigon Times Weekly. He also works as a photojournalist for the French agency Hans Lucas. He visited Japan in July and August 2019 and this was when he was struck by the desire to examine solitude, as felt by both the Japanese people and travellers.
‘Japanese cities are known for their high population density and their packed underground network, but they can actually prove to be particularly alienating’, Adrien Jean explains. ‘What I want to illustrate in this series is the fluctuating sensation of solitude a traveller can feel when immersing themselves in the country’s culture.’
Adrien Jean’s work can be viewed on his website and Instagram account.

© Adrien Jean

© Adrien Jean

© Adrien Jean

© Adrien Jean

© Adrien Jean

© Adrien Jean

© Adrien Jean

© Adrien Jean
TRENDING
-
The Tattoos that Marked the Criminals of the Edo Period
Traditional tattoos were strong signifiers; murderers had head tattoos, while theft might result in an arm tattoo.
-
‘Chindogu’, the Genius of Unusable Objects
Ingenious but impractical inventions: this was all that was required for the concept to achieve a resounding success.
-
Modernology, Kon Wajiro's Science of Everyday Observation
Makeup, beard shape, organisation of cupboards and meeting places: all of these details decipher 1920s Tokyoites.
-
Yoshitomo Nara: What Lies Behind Insouciance and Appearances
Yoshitomo Nara's little girls with big eyes unsettle the viewer with the violence they exude and force them to discern the imperceptible.
-
Tokyo's Transgender Community of the 1970s Immortalised by Satomi Nihongi
In her series ‘'70S Tokyo TRANSGENDER’, the photographer presents a culture and an aesthetic that are situated on the margins of social norms.