Celebrating the Beauty of Japanese Trees

Three photographers have all celebrated the majestic nature of Japanese trees in their own way, in a book and a joint exhibition.

25.09.2019

Yuka and The Forest by Lena C Emery, published by artpapereditions charity

With Treescapes, a joint exhibition held from 13 September until 27 October 2018, commissioned by the New York-based Laurence Miller Gallery, Yoko Ikeda and Toshio Shibata showcased their different but complementary views of nature.

Toshio Shibata, one of the most famous Japanese landscape photographers, became known for his work in which he explores the interaction between nature and man-made infrastructure. The artist, born in 1949, lived in Belgium before settling in Tokyo. On his return to Japan, he was struck by the eclectic mix of traditional landscapes and western influences he found in the region, and focused on the beauty of ‘non-photogenic structures, the stuff most photographers would ignore’. In his images, trees take up only part of the frame. They’re shown surrounding dams, adding beauty to a bridge or planted an equal distance apart in a field to meet crop requirements.

His exhibition partner, Yoko Ikeda, approached the subject from a totally different angle. In her works, the trees fill the whole frame to the point of being too big for it. The calluses in the bark are visible and the colours intense, almost overexposed. Dead leaves strewn across a turquoise tarpaulin, green and pink woodpeckers perched on a tree in Kyoto, or branches weighed down with flowers in Misato, Kumamoto prefecture: where Toshio Shibata photographs large areas of land, Yoko Ikeda narrows the frame and looks for the details.

The magical dimension to her work echoes that of Lena C. Emery, a young German photographer. Her love of trees dates back to her childhood, when she would walk around the different nature reserves in Singapore. Her book, Yuka & the Forest, tells the contemplative story of Yuka, the solitary fictional character, in the mysterious, dense and poetic spaces in the Japanese forest. The photographer thus pays homage to the Shintoist concept of chinju-no-mori (broadly speaking, the notion of the idolisation and protection of nature), that she discovered on one of her many trips to Japan. The whole work is printed on recycled paper and thus actively strives to preserve the forest: 10% of the profits go straight to the WWF to help protect the environment.

 

Yuka & the Forest (2018) by Lena C. Emery, published by Art Paper Editions

Yuka and The Forest by Lena C Emery, published by artpapereditions charity

Yuka and The Forest by Lena C Emery, published by artpapereditions charity

Kuroishi City, Aomori Prefecture, 2006 ©Toshio Shibata

Hirakawa City, Aomori Prefecture, 2006 ©Toshio Shibata

Saga City, Saga Prefecture, 2014 ©Toshio Shibata